The Master Of Horror Is Back Again!

A well-researched, finely tuned crime-cum-legal case novel forms a good chunk of the book, as Detective Anderson and the state prosecutor amass their evidence. They are then presented with a curveball: Terry doesn’t just have an alibi, he has been caught on video at a talk by Harlan Coben in another town at the exact time the murder took place. Unnecessary cameo aside, it’s a genuinely intriguing mystery, one that uses many of the tropes of both so-called “grip-lit” thrillers and more conventional forensics-driven crime fiction.

Then, as so often in King novels, the rug is pulled out from beneath the reader’s feet: the airtight case remains airtight, but so too does the alibi, until Anderson, with the help of Holly Gibney, on loan from the Bill Hodges trilogy, starts to unpick Terry’s story.

From that point on, the novel visits some very odd places – and I mean that as a compliment. The supernatural elements have more than a little in common with some of King’s most beloved creations, especially in the vague way he conveys what they actually are. He has always understood that the mystery – the question – is scarier than finding out the truth.
There is an intriguing political undercurrent throughout: from mentions of the Black Lives Matter movement to the shadowy presence of Donald Trump, evoked by a crowd wearing Make America Great Again hats and baying for Terry’s blood. King also examines how society treats sex offenders. (As one of his constant readers, I find that the thought of Trump inhabiting the same fictional universe as Greg Stillson, The Dead Zone’s horrifying presidential candidate, is not a comforting one.)

You could see The Outsider as King’s take on fake news, moving it from the political realm to something more personal. Lies being sold as truth: what form could that concept take?

That’s not to say the whole novel works. It takes a couple of hundred pages for the weirdness to get started, and the sense of the uncanny pervading the entire novel means that the more horrifying elements fail to surprise when they eventually arrive. But The Outsider gives King fans exactly what they want at the same time as cramming in new ideas, proving the least surprising thing of all: that his novels are as strong as they ever were